About Me

My photo
Resa Haile is the co-editor of the anthology, Villains, Victims, and Violets: Agency and Feminism in the Original Sherlock Holmes Canon. She is also the author of several essays, including “Wynonna Earp, Supergirl and the Power of Choosing” (Fourth Wave Feminism on SciFi Fantasy TV); an examination of an unreliable confession that may unfairly malign Sarah Cushing in the Sherlock Holmes story, “The Cardboard Box” (About Sixty: Why Every Sherlock Holmes Story Is the Best); and a defense of Violet Hunter, the heroine of "The Copper Beeches" (The Baker Street Journal). Resa has also been published in NonBinary Review and The Proceedings of the Pondicherry Lodge, as well as the anthologies Sherlock Holmes Is Like and Sherlock Holmes Is Everywhere. She is putting the finishing touches on a comedy mystery novel set in a world somewhat like ours. She can draw with her right or her left hand and once won Sumiko Saulson’s Horror Haiku contest. Resa co-founded two Sherlockian societies, the Original Tree Worshippers of Rock County and the Studious Scarlets Society and is working on projects fictional and poetic.
Want to know when something new is posted? To followThe Ineffable Twaddlist by e-mail, simply submit your e-mail address below.

2011/10/28

Carmilla by Joseph Sheridan Le Fanu

Review by Resa Haile

In 1872, twenty-five years before the publication of Dracula by Bram Stoker, a vampire tale by another Irish writer saw the light of day. This story was Carmilla by Joseph Sheridan Le Fanu. It is not difficult to find a copy today, as it is included in many vampire, ghost, and horror anthologies, as well as being published in slender book format on its own.

The true heroine of the tale is not Carmilla, but the narrator, who “bear[s] an English name.” She and her father come to the titular character’s aid when the lady (apparently) suffers a malady while traveling with her mother. The mother is on “a journey of life and death, and cannot stop,” so it is arranged for Carmilla to come and stay with the heroine and her father.

Bram Stoker acknowledged the debt he owed to his predecessor. As Dracula would later later do, Carmilla cultivates a personal relationship with her victim. With the increase of intensity in Carmilla’s devotion, the object of her affections becomes more listless and unwell.

Reading Carmilla today, one may be struck by an undercurrent of lesbianism in Carmilla’s pursuit of her victims, who are always female. (The movie The Vampire Lovers is based on this book.) It is possible that Le Fanu thought females seemed more vulnerable to becoming victims of a predator, even when the predator was female.

It is interesting that Carmilla’s heart beats and she breathes, two things that rarely occur in modern vampire fiction. This story is quite atmospheric and well worth the time for anyone interested in the roots of horror fiction.

Artwork accompanying this article is by Resa Haile.

No comments:

Post a Comment

Pages